In a perhaps not-so surprising turn of events, I decided that I should to circle back to the Loretta Shorts pattern whilst hip-deep in several other makes and one sewing course. This did mean that my next post would be late, because I already had a lot on the go. But I decided it was worth it! It didn’t seem fair to have done such a long series of reviews on the pattern without having done the shorts version as it was intended. Whilst reorganising my fabric stash, I was further encouraged by the discovery that I had not one – but two pieces of suitable fabric for this very purpose.
Hello friends! I cannot even begin to explain how excited I am to be sharing this particular post! In all the time I have been focusing quite seriously on developing my skills in sewing, I had never once successfully made a dress. I think, similar to how pants and shorts are now my Everest, dresses were a fitting challenge I didn’t quite have the skills to unravel at the time. But having acquired two large pieces of fabric from a community stall event prior to all the shutdowns which simply told me they had to be made into dresses, I knew it was time to confront this challenge again. So when I stumbled over someone selling Butterick B5748, I knew this was going to be the pattern I would sink my teeth into. It’s a gorgeous reprint of a 1960’s pattern, with updated instructions and multiple sizes – which worked very well for me.
Hello friends. One thing that gives me a lot of comfort at the moment is following along with other people’s sewing and seeing what other projects we’re all working through. It’s inspired me to continue working through my own growing pile of secondhand patterns, seeing what I can create with the fabric I have on hand and how creative I can be with the scraps. It’s a chance to flex my creative muscles. I do have a few bits and pieces in mind, and have already begun investigating the possibility of making my own bias binding from odd pieces – leaving the fabric from some old sheets as pocket lining and things like that. But first on my list was this gorgeous blouse pattern, Simplicity 2151, in combination with this secondhand fabric I’d had for about two months or so.
It’s no secret that I love button-up, collared blouses. My regular work wardrobe is comprised almost exclusively of collared shirts, cardigans, sweaters to be mixed and matched with black slacks. It allows me to sneak a bit of 50’s and 60’s style into my professional wardrobe, which pleases me to no end. So I am always on the lookout for more collared blouses when I am out hunting for secondhand goodies, and have gotten quite lucky over time in finding a few in very good condition. My current wardrobe is in fact comprised entirely of secondhand and me-made blouses now, which I consider quite an achievement. However, there is still something I am lacking. And that is the truest of staple blouses, the white collared blouse.
Hold onto your hats Theydies and Gentlethem, because I am about to tell you something shocking. What I want to tell you is that it’s normal to fail. As scandalous as that might sound, I believe that it doesn’t matter how old we get or how experienced we are, we will always make mistakes. And I don’t say that in a completely negative way either. Certainly failure is disappointing, mistakes are frustrating, and wouldn’t it be great if things worked perfectly all the time? Well, sure. But how good does it feel to come out the other side of a series of failures with one precious success? How much do we learn from when things go wrong, versus when there’s not a single bump in the road? How connected do we feel to others when they share their mistakes? Personally, I love those stories. So let me share the story of the many failures that led to the amazing success of the Lottie Blouse.
It’s no secret that I love button-down shirts, the kind where the collar fastens with a button to get that close-to-the-neck fit. This is because I also love adding little things to an outfit, like a necktie, bow-tie or ribbon in order to create a bit of interest, and these require button-down shirts. However, it hadn’t occurred to me to extend this interest to sleepwear. I was in the habit of getting PJs secondhand, in particular getting full sets where I could. I love a matching set! However, the trend for modern PJs in terms of bottoms seemed to be either 3/4 length, or the shortest of shorts. Neither of which are great for me in the middle of summer.
This skirt pattern is, without a doubt, the pattern that cemented my interest in sewing vintage. My wardrobe largely consists of items that are vintage inspired to some degree, as well as menswear inspired. But I had been hesitant to sew dresses and skirts, as I thought I wouldn’t get much wear out of them.
I think it’s safe to say that at some point in many sewer’s journeys, we can become addicted to Indie Patterns. For those who haven’t yet taken the plunge, these are patterns made by independent designers, separate to the big name sewing companies like McCall’s, Vogue, etc. Indie Patterns also tend to be the most common things I see people making on social media, which I now realise helps to drive up the desire to own and make them yourself.
I honestly think this pattern was the start of my fascination with vintage sewing patterns. I managed to snag it at an op-shop near where I work, for $2 – an absolute steal, and the fabric was a lovely thick fabric I found at a different op-shop again. The buttons were also a set I had picked up for 20c at the same op-shop where I found the fabric. So it seemed to me that the stars had simply aligned, determined to make this pattern a success.
Continuing the trend of sewing bottoms from my last post, I thought it would be good to share my thoughts about Simplicity 8457. This pattern was quite a step up for me, involving an all new technique in terms of inserting an invisible zipper. And it was also my first time dealing with trousers with a pleated front. My love of wide-leg, high-waisted trousers had well and truly set in by this stage, as had my desire to find pairs that fit. Naturally I turned to another one of my Spotlight Specials patterns to make this happen and stumbled over a series of patterns called Amazing Fit. I was intrigued by the notion that it had “curvy” pattern options, which seemed specifically designed for people with larger hips and thighs than waists.